April 6, 2026

Slamhammer Sound & Roadcase Co. production manager Matt Svobodny walks Fox News Digital’s senior editor of investigations, Asra Q. Nomani, through the logistics and equipment used during the ‘No Kings’ protest in St. Paul, Minn., on March 28, 2026.

ST. PAUL, Minn. – When anti-Trump protesters took to the streets across the country in late March for rallies branded as “No Kings,” CNN reported that anti-Trump protests had “popped up” nationwide, including at the Minnesota State Capitol.

But a Fox News Digital investigation reveals that nine vendors were paid an estimated $250,000 to build a professionally-sophisticated protest infrastructure behind the “flagship” event held in St. Paul, and a former Obama and Biden administration political and communications strategist, Roger Fisk, took credit for being the “Senior Advisor to the #NoKings flagship event,” fine-tuning the “art and science” of throwing the protest, along with two other “No Kings” protests last year.

The machine behind the protest included deploying about 30 semi-trucks to deliver concert-level equipment, a massive mobile stage, nearly a mile of heavy-duty feeder cable used to distribute electricity throughout the rally site, scores of porta-toilets and folding chairs, eight jumbo screens, high-speed internet and bike-rack barriers to keep the crowds away from the stage, filled with bold-faced celebrities including rock star Bruce Springsteen, actress Jane Fonda and singer Joan Baez.

 

Nothing says spontaneous grassroots outrage quite like a nine-vendor, $250,000 production pipeline rolling into St. Paul with about 30 semi-trucks, a mobile stage, eight jumbo screens, high-speed internet, miles of cable, and enough porta-toilets and folding chairs to make it look less like a protest than a very opinionated county fair with celebrity seating. The “No Kings” rally, we’re told, was a rebuke to power, though it appears to have required the kind of logistical precision, branding, and backstage coordination usually reserved for concert tours, except with more moral earnestness and fewer guitar solos. And in the grand American tradition, the message was anti-establishment, the operation was professionally managed, and the “art and science” of rebellion was apparently outsourced to people who know how to turn dissent into a well-lit event with bike-rack barriers.

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